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Chymamusique brings a broad selection of South African house music together on Musique Compiled 1.0 (By Chymamusique), a 15-track various-artists album released through Chymamusiq Records in 2026. Also presented as Musique Compiled Vol. 1, the collection connects deep house, soulful influences and broken-beat selections through his work as curator and audio engineer.
For Amapiano Groove readers exploring the wider house scene, the album offers several routes into discovery. Established collaborators appear alongside names worth investigating, while remixes, edits and original tracks give the programme variety. Chymamusique’s involvement provides the link between these different contributions.
Lord Keep Me opens the collection
The album begins with “Lord Keep Me,” bringing Chymamusique together with Artwork Sounds and Fatso 98, with Ola Sax and John Lundun also credited on the official release. It is a collaborative opening that places several musicians at the front of the compilation.
The song also has a history beyond this album. Chymamusique had considered it for Musique Collaborated Vol. 1 but held it back because its gospel-house character occupied similar ground to “Somandla,” another release from that period.
Its inclusion here gives the track a different setting. As the opening selection, “Lord Keep Me” introduces a compilation whose track titles repeatedly touch on faith, feeling and personal expression, without requiring every contribution to follow the same theme.
Deep house and broken-beat selections
Sir Mos follows with “Only One,” before YVESOUL contributes “Stories We Used to Tell.” These early selections quickly expand the focus beyond Chymamusique’s own recordings, establishing the various-artists format.
Hertzjazz brings “Township Samba (Broken Mix),” while D Soul contributes “Broken Soul.” The broken-mix designation is a useful signpost for listeners interested in the rhythmic variety within the selection.
Sbisha’s “Pray” and DJ Hloni’s “Heavens Open Up,” featuring Decency, continue the programme. Their titles echo the spiritual language of the opener, creating an apparent thread across the tracklist.
That is one rewarding way to approach a compilation: notice the possible connections between selections, then listen for how the actual music supports or complicates those first impressions.
Collaborations across the middle of the album
DJ Dihno’s “Opening Statement” and Ruulz’s “Another Love” lead into “Khabazela,” credited to Pando G, Nastic Groove and Rocotone, featuring Mörda and Chymamusique. The supplied tracklist identifies this version as the Deep Jazz Edit.
Andomusic follows with “Musical Feeling,” keeping the compilation open to another artist’s contribution. For listeners discovering several of these names for the first time, this middle section offers plenty of starting points for further exploration.
The album then returns to Chymamusique on “Don’t Wait Till I’m Gone,” alongside Poizen, Lilac Jeans, EarfulSoul and Diamond Dancer. Its inclusion adds another collaborative reworking to a collection that repeatedly makes room for alternative versions.
The final tracks and album format
“Asambe 2.0” arrives near the end, with the official credits naming Juggernot and Davitone. Alexa and M.Patrick follow with “Touch Me (M.Patrick Refix),” before Mr Milk Dee closes the album with “Confession.”
Across 15 tracks, the project runs for approximately 97 minutes. The supplied MP3 edition is listed at 320 Kbps, with a total size of 228.4 MB.
That length gives listeners room to explore the sequence gradually. It also makes the album useful as a discovery collection: individual favourites can lead back to the artists responsible for them.
Explore Chymamusique’s house music selection
Musique Compiled 1.0 brings the role of the curator into focus. Chymamusique gathers different contributors within one release, creating an accessible starting point for exploring their work.
Follow the linked artist names on Amapiano Groove for related releases and more South African house music discoveries.



